Straight-of-grain Waistband Made Easy

If you enjoy sewing apparel, chances are that you'll encounter waistbands cut on the straight-of-grain frequently, especially with the popularity of separates in our wardrobes. In fact, so many of our garments have waistbands, and we open and close them so often, we tend to take them for granted. So let's take a look at why these waistbands deserve closer attention, and how to sew perfect ones.

Functions of a waistband

Waistbands are one way to finish the top edge of skirts, pants, and other separates. They're also part of the opening that provides entry for the garment. And perhaps most importantly, they anchor the garment at or near the waist. This small strip of fabric performs a big job: a waistband "carries" the entire garment.

Structuring waistbands

Because of these various functions, it's very important that waistbands are supported properly, which is accomplished through interfacing the waistband fabric. There are many interfacing materials that can be used, and the best one to choose depends on the amount of support and structure that's required for the particular garment style, fabric, and width of waistband. (Typically, wider waistbands need more support than narrower ones.) By experimenting with fusible interfacing, sew-in interfacings, and products specifically made for making waistbands, you'll discover which give you the results you like the most with specific fabrics and styles.

Selecting a waistband interfacing

The best way to choose which interfacing product to use for the inner support of a waistband is to make several test samples for each garment you make. Simply apply a few different interfacings to scraps of fabric after you've cut out the garment. With your fingers, feel the difference between the samples. You can also make a practice waistband if you want to make sure the interfacing in question will do a perfect job. Place the practice waistband around your body and try bending over and sitting. Does it keep it's shape or does it fold over? Is it too stiff? Does it feel comfortable? You'll also want to take into account what kind of wear the garment will receive; what kind of cleaning process the garment will undergo; and what type of closure the waistband will have.




Waistband materials

Waistbands are usually cut from the same fabric as the garment. Patterns generally call for the length of the waistband to be cut using the fabric's length-of-grain. This is preferable because the cross-grain normally has more inherent give than the length-of-grain. For design purposes, waistbands can be made from contrasting fabrics, or even from ribbon or other trims.

How wide should a waistband be? Most frequently, waistbands are either 1-1/4" wide or 1-1/2" wide, but there is no rule that says you must make your waistbands either of these widths. Some people like a narrower waistband - even as narrow as 3/8"; others prefer a wider waistband - 2" or more. Both comfort and style (design) will influence how narrow or wide you choose to make your waistbands.

Getting a comfortable circumference. Some people prefer snug waistbands and others prefer a looser fit. Commercial patterns have approximately 1" of ease in the waistband pattern (i.e., the finished waistband will be 1" larger than the waist measurement for the given size). But people's preferences vary a lot: some people like their waistbands equal to their actual waist measurement; some like their waistbands larger than their waist measurement; and some people like their waistbands smaller than their waist measurement. This is a personal choice - and part of the benefit of getting custom tailored garments is that you can make a waistband fit exactly how you like it!

Waistband closures

Some people choose a buttonhole and button closure, while others prefer a skirt/pants hook and eye (this is a flat hook-and-eye set that is about 1/2" long). The choice is yours, depending on the look you want to create. Using a hook-and-eye closure results in a very clean looking garment, while buttons can be a decorative element.

E-tailor at www.mycustomtailor.com

Types Of Cloth

Mohair

Mohair is the hair from the Angora goat. It is distinctive from wool, in that it has a different fibre structure, which hangs in ringlets and is exceedingly fine, soft and silky.

The name ‘Angora’ originates from the province of Angora in Turkey where these goats have been farmed for centuries and are said to have descended from the Cashmere goat. To achieve the best quality of Mohair fibre, the fleece should be shorn from goats under eight years old, after which time the hair becomes too coarse. The first clipping from the Angora goat is called ‘Kid Mohair’ and because it is the first ever clip, the fibre tends to be the softest.

Mohair is the most durable of all animal fibres, with natural lustre and resistance to dirt and creasing. Angora goats thrive in habitats of high altitude, warm climate, abundant grazing pastures and fresh water.

As with wool, mohair can be spun on the woollen or worsted system. Worsted mohair suiting fabrics have a clean, crisp handle with a bright, lively surface as the natural lustre of the fibre is used to full effect. They are light in weight, and yet the strength of the fibre guarantees a hard wearing, long lasting cloth.

Vicuna

Inca legend tells of the vicuna as the reincarnation of a beautiful young maiden who was wooed by an old, ugly king. She would only consent to his advances if he promised her a coat of pure gold. This is how the vicuna came to have its golden fleece. Considered sacred by the Incas, only royalty were allowed to wear the vicunas precious fleece, also known as the fibre of the gods. The attraction of vicuna fleece has not diminished with time; today, vicunas continue to be worshipped as sacred animals by the indigenous Aymara Indians of Peru and Bolivia. The incredibly soft and luxurious handle of the vicuna fleece has made this shy and diminutive creature a most sought-after treasure since the time of the Incas. These revered mammals are to be found in the extreme heights of the Altiplano regions of the Andes, most commonly in Peru. A vicuna’s fur is thick but soft and the fibre length is rarely more than 25mm making it more suitable for woollen spun fabrics. However, the fibre that has been used to produce this range of fabrics has a staple length greater than 30mm; making it the first vicuna fibre to be spun into yarn using the worsted spinning system

Silk

Silk is a natural protein fibre spun by the silkworm as it makes its cocoon and is one of the strongest natural fibres. Silk has always held a special position as a quality fibre, and was originally reserved for the Emperors of China, but quickly became popular throughout Chinese culture, Asia and beyond by means of the Silk Road.




The Silk Road refers to the extensive trade routes across Asia, connecting North Africa and Europe. This network extended over 8,000km and enabled traders and merchants to transport luxury goods including silk, rubies, diamonds and pearls across the continents.

Silk fibres have a triangular cross section with rounded corners, allowing light to reflect at many different angles giving a natural shine and lustre. Appropriate for all climates, the naturally good moisture absorbency of silk allows the fibres to maintain their insulation properties making silk cloth comfortable to wear even in warm climates.

Cotton

Cotton is a soft, vegetable fibre that grows in a form known as a boll around the seeds of the cotton plant, a shrub native to tropical and subtropical regions around the world, including the Americas, India and Africa. Successful cultivation of cotton requires a long frost-free period, plenty of sunshine, and a moderate rainfall.

The fibre can be spun into yarn or thread producing a soft, breathable textile. Cotton has been spun, woven, and dyed since prehistoric times, clothing the people of ancient India, Egypt, and China.

Europeans knew little about the origins of cotton prior to the 15th Century. Up until this time they believed cotton to be derived from a sheep-bearing plant, noting its similarities to wool.

Legend told of a wonderful tree which grew in India and bore tiny lambs on the ends of its branches. These branches were so pliable that they bent down to allow the lambs to feed when they were hungry. The advent of the Industrial Revolution in Britain provided a great boost to cotton manufacture, as textiles emerged as Britain's leading export.

Linen

The manufacture of linen yarn and fabric is a complicated process, one that requires skill and expertise from the cultivation of the raw flax plant, to the combing and processing of the fibres in preparation for spinning and weaving. The use of linen dates back to ancient times; it was the first known textile fibre in the world, with the earliest traces of its use dating back to 8000 BC. Linen has also been discovered in Egyptian tombs wrapped around the mummified bodies of pharaohs, it was seen as a symbol of light and purity, and a display of wealth.

Linen is highly absorbent and a good conductor of heat, keeping the body cool when worn in hot climates. It has a smooth, lustrous surface with a natural resistance to dirt and staining and is the strongest of the vegetable fibers, with two to three times the strength of cotton.

Linen fabrics have a high natural lustre, with the ability to absorb and lose water rapidly, gaining up to 20% moisture content without feeling damp. The natural look of linen cloth is an elegant choice for casual wear, warm weather, weekends and holidays.

Types Of Wool

Merino

The Merino is the most economically influential breed of sheep in the world, prized for its wool. Superfine Merinos are regarded as having the finest and softest wool of any sheep.

Merino sheep produce a clean, white fleece ideal for dying to clear, fresh colours, while the long, fine fibres can be spun to the finest count, woven into the finest fabric and tailored into the finest suits.

The wool has characteristic crimp and elasticity, creating unparalleled style, drape, comfort and performance for the wearer. The handle and lustre is of exceptional softness and kindness to the touch, unlike any other fibre.

For hundreds of years, Merino flocks were the exclusive property of the Spanish Crown and wealthy nobles. King Alfonso of Spain forbade the export of Merino from the 14th Century for over 400 years because of the wool’s value to the Spanish economy. In the 18th Century, the King of Spain gave the finest of these coveted flocks to the powerful rulers in Saxony, France and Great Britain. This gift of Kings was eventually shipped to the farthest reaches of the world, including South Africa, Argentina, New Zealand and Australia, where the treasured Merino sheep flourished.




The refined, unique Merino fleece is shorn once a year and is analyzed for micron, colour and brightness, comfort, fibre length and strength amongst other measures of quality. The fineness of Merino wool is measured by its micron value: the lower the number, the finer and better the quality.

Cashmere

The Cashmere goat is to be found principally on the cold and dry highlands of Central Asia at 3,000 to 5,000metres above sea level. From here the wool travels across India and past the Himalayan Mountains, to China, where it is distributed to mills throughout the western world.

Cashmere was first discovered by the nobility of Victorian England and subsequently became one of the most prestigious fibres of the noble fibre family. The low bulk, high loft fibres combine to make the warmest, most comfortable garments money can buy. In softness, warmth and fineness of fibre cashmere is comparable to Vicuna. Cashmere is appropriate for all climates as the high moisture absorbency rate allows the fibres to maintain their insulation properties in varying conditions of relative humidity. The finest fibres are gathered from the saddle of the Cashmere goat and are harvested by carefully combing the goat’s fleece during the spring months. Cashmere cloths are luxurious with a soft and seductive handle, beautiful drape and timeless appeal.

E-tailor at www.mycustomtailor.com

Dressing Tips For Short Height Person

In order to achieve a taller appearance, you must establish a unified look from top to bottom that uses vertical lines, smooth transitions and thematic consistency. The goal is for people to perceive you either in passing glance or by general perception as a whole and not broken up in parts. Below are the top ten tips tactics (in no particular order) on how to look taller.

Short Hair:
Be sure to keep your hair short and neatly trimmed. Shorter hair allows us to see your neck and well trimmed short hair can create visual lines from the back of your neck up behind your ears, tapering into the body of your hair. Long hair hides your neck and forces our sightlines to naturally follow the growth of the hair down

Fit:
there are two aspects to "Fit" that are critical to appearing taller. First, your clothes must fit you well. Oversized or to tight, either way poorly fitted clothes accentuate every aspect of your body that you would prefer others to ignore. If you're not a tall man and want to build in good practices to appearing taller, be sure to find a good tailor and get your clothes fitting you as best you can. The second "Fit" element is your physical fitness. Shorter men who wish to appear taller must pay close attention to their fitness level. Being vertically challenged is no fault of your own but being unfit is all you!

Vertical patterns:
Stick with pin stripes or vertical patterns and absolutely avoid horizontal, big or loud patterns - simple as that!

Trousers:
Pleated Trousers are best to achieve a vertical sight line. A single pleat is recommended, much more in the way of fabric can defeat the purpose. Cuffs are not helpful in achieving height as they create unnecessary horizontal lines so go without cuffs.




Shoes:
Mens dress shoes typically have heels and most men do wear heeled dress shoes so be sure not to put yourself at a further disadvantage by wearing flat shoes. Incorporate heeled shoes into your work and causal wear wardrobe.

Monochromatic color scheme from top to bottom:
This tactic is one of the most important in order to achieve that unified look. Monochrome implies one color using different "tints and shades" of that same color. Staying with one hue (color) helps establish that unified and consistent theme. Here is a great example using black in a monochrome color scheme...black dress shoes, black socks, black trousers, black belt and a fitted long sleeved dark grey v-neck merino wool sweater.

Shirts:
dress shirt collars should be classic straight or narrow shirt collars with elongated collar tips. Sweaters should be v-neck not rounded. Skinny or slender neck ties with smaller knots, no bow ties. Again, our goal is vertical lines, bow ties and spread collars are horizontal and should be avoided.

Belt:
We always suggest your belt should match your shoes. We continue to stand behind this recommendation however, if can, get yourself dark brown or black dress shoes and let them become staples in your wardrobe. If you're hoping to achieve tall points having a noticeable horizontal element like a belt is bad news. Use a belt that is darker than your trousers, avoid thick belts, avoid clunky buckles and don't violate the match your shoes rule.

Jackets:
Single breasted is your best option. Never double breasted! Follow the tactics like pinstripes or vertical patterns, monochrome color schemes and above all be sure your jacket is tailored to fit you. A nicely tailored 3 button single breasted jacket will server your needs perfectly.

Posture etc:
You should not have to be told, if you're below average in height you don't have the latitude for poor posture. Don't slouch, stand up-right, project your confidence, walk with purpose, be assertive, speak clearly, definitively and in controlled lower tones...That's how to look taller!

E-tailor at www.mycustomtailor.com

Elements Of Formal Clothing - Part 4

Waistcoats

Waistcoats (often called vests in the USA) were almost always worn with suits prior to the 1940s. They were revived in the 1970s and remained popular throughout that decade in some parts of the world, and remain popular, for example, in Germany. Waistcoats can be either single-breasted or double-breasted. A style that was quite popular among fashionable young men in the 1920s was to wear a single-breasted coat with a high-waisted double-breasted waistcoat. High-waisted single-breasted waistcoats were popular in both the 1920s–1930s and in the 1970s, and were often made with either five or six buttons. Today, many suit makers sell suits with waistcoats, although they often cost much more than a simple two-piece suit. A suit with a matching waistcoat is often called a three-piece suit. They are much more popular in continental Europe than in the USA, Britain, or Japan.

Trousers

Suit trousers are always made of the same material as the jacket. Even from the 1910s to 1920s, before the invention of sports jackets specifically to be worn with odd trousers, wearing a suit jacket with odd trousers was as an alternative to a full suit. However, with the modern advent of sports jackets, suit jackets are always worn with matching trousers, and the trousers have always been worn with the appropriate jacket.

Trouser width has varied considerably throughout the decades. In the 1920s, trousers were straight-legged and wide-legged, with a standard width at the cuff of 23 inches. After 1935, trousers began to be tapered in at the bottom half of the leg. Trousers remained wide at the top of the leg throughout the 1940s. By the 1950s and 1960s, a more slim look had become popular. In the 1970s, suit makers offered a variety of styles of trousers, including flared, bell bottomed, wide-legged, and more traditional tapered trousers. In the 1980s these styles disappeared in favor of tapered, slim-legged trousers.

One variation in the design of trousers is the use or not of pleats. The most classic style of trouser is to have two pleats, usually forward, since this gives more comfort sitting and better hang standing.This is still a common style, and for these reasons of utility has been worn throughout the twentieth century. The style originally descended from the exaggeratedly widened Oxford bags worn in the 1930s in Oxford, which, though themselves short-lived, began a trend for fuller fronts.The style is still seen as the smartest, featuring on dress trousers with black and white tie. However, at various periods throughout the last century, flat fronted trousers with no pleats have been worn, and the swing in fashions has been marked enough that the more fashion-oriented ready-to-wear brands have not produced both types continuously.




Turn-ups on the bottom of trousers, or cuffs, were initially popularised in the 1890s by Edward VII, and were popular with suits throughout the 1920s and 1930s. After falling out of style in World War II, they were not generally popular again, despite serving the useful purpose of adding weight to straighten the hang of the trousers. They have always been an informal option, being inappropriate on all formalwear.

Other variations in trouser style include the rise of the trouser. This was very high in the early half of the century, particularly with formalwear, with rises above the natural waist, to allow the waistcoat covering the waistband to come down just below the narrowest point of the chest. Though serving less purpose, this high height was duplicated in the daywear of the period. Since then, fashions have changed, and have rarely been that high again with styles returning more to low-rise trousers, even dropping down have waistbands resting on the hips. Other changing aspects of the cut include the length, which determines the break, the bunching of fabric just above the shoe when the front seam is marginally longer than height to the shoe's top. Some parts of the world, such as Europe, traditionally opt for shorter trousers with little or no break, while Americans often choose to wear a slight break.

A final major distinction is made in whether the trousers take a belt or braces (suspenders). While a belt was originally never worn with a suit, the forced wearing of belts during wartime years (caused by restrictions on use of elastic caused by wartime shortages) contributed to their rise in popularity, with braces now much less popular than belts. When braces were common, the buttons for attaching them were placed on the outside of the waistband, because they would be covered by a waistcoat or cardigan, but now it is more frequent to button on the inside of the trouser. Trousers taking braces are rather different in cut at the waist, employing inches of extra girth and also height at the back. The split in the waistband at the back is in the fishtail shape.

E-tailor at www.mycustomtailor.com

Elements Of Formal Clothing - Part 3

Single- vs. double-breasted jacket

Most single-breasted suits have two or three buttons, and one or four buttons are unusual. It is rare to find a suit with more than four buttons, although zoot suits can have as many as six or more due to their longer length. There is also variation in the placement and style of buttons, since the button placement is critical to the overall impression of height conveyed by the jacket. The centre or top button will typically line up quite closely with the natural waistline.

Double-breasted jackets have only half their outer buttons functional, as the second row is for display only, forcing them to come in pairs. Some rare jackets can have as few as two buttons, and during various periods, for instance the 1960s and 70s, as many as eight were seen. Six buttons are typical, with two to button; the last pair floats above the overlap. The three buttons down each side may in this case be in a straight line (the 'keystone' layout) or more commonly, the top pair is half as far apart again as each pair in the bottom square. A four-button double-breasted jacket usually buttons in a square. The layout of the buttons and the shape of the lapel are co-ordinated in order to direct the eyes of an observer. For example, if the buttons are too low, or the lapel roll too pronounced, the eyes are drawn down from the face, and the waist appears larger.

The custom that a man's coat should button "left side over right", anecdotally originates in the use of the sword, where such cut avoided catching the top of the weapon in the opening of the cloth (since the sword was usually drawn right-handed). Women's suits are buttoned "right side over left". A similar anecdotal story to explain this is that women were dressed by maids, and so the buttons were arranged for the convenience of their, typically, right-handed servants; men on the other hand dressed themselves and so the buttons were positioned to simplify that task.

Jacket lapel

A notched lapel
A peaked lapel
A shawl lapel

The jacket's lapels can be notched (also called "stepped"), peaked ("pointed"), shawl, or "trick" (Mandarin and other unconventional styles). Each lapel style carries different connotations, and is worn with different cuts of suit. Notched lapels are only found on single-breasted jackets and are the most informal style. Double-breasted jackets usually have peaked lapels. Shawl lapels are a style derived from the Victorian informal evening wear, and as such are not normally seen on suit jackets except for dinner suits.

In the 1980s, double-breasted suits with notched lapels were popular with power suits and the New Wave style.

In the late 1920s and 1930s, a design considered very stylish was the single-breasted peaked lapel jacket. This has gone in and out of vogue periodically, being popular once again during the 1970s, and is still a recognised alternative. The ability to properly cut peak lapels on a single-breasted suit is one of the most challenging tailoring tasks, even for very experienced tailors.

The width of the lapel is a varying aspect of suits, and has changed over the years. The 1930s and 1970s featured exceptionally wide lapels, whereas during the late 1950s and most of the 1960s suits with very narrow lapels—often only about an inch wide—were in fashion. The 1980s saw mid-size lapels with a low gorge (the point on the jacket that forms the "notch" or "peak" between the collar and front lapel). Current (mid-2000s) trends are towards a narrower lapel and higher gorge.

Lapels also have a buttonhole, intended to hold a boutonni?re, a decorative flower. These are now only commonly seen at more formal events. Usually double-breasted suits have one hole on each lapel (with a flower just on the left), while single-breasted suits have just one on the left.


Pockets

Most jackets have a variety of inner pockets, and two main outer pockets, which are generally either patch pockets, flap pockets, or jetted pockets. The patch pocket is, with its single extra piece of cloth sewn directly onto the front of the jacket, a sporting option, sometimes seen on summer linen suits, or other informal styles. The flap pocket is standard for side pockets, and has an extra lined flap of matching fabric covering the top of the pocket. A jetted pocket is most formal, with a small strip of fabric taping the top and bottom of the slit for the pocket. This style is most often on seen on formalwear, such as a dinner jacket.

In addition to the standard two outer pockets, some suits have a third, the ticket pocket, usually located just above the right pocket and roughly half as wide. While this was originally exclusively a feature of country suits, used for conveniently storing a train ticket, it is now seen on some town suits. Another country feature also worn sometimes in cities is a pair of hacking pockets, which are similar to normal ones, but slanted; this was originally designed to make the pockets easier to open on horseback while hacking.

Sleeves

Suit jackets in all styles typically have three or four buttons on each cuff, which are often purely decorative (the sleeve is sewn closed and cannot be unbuttoned to open). Five buttons are unusual and are a modern fashion innovation. The number of buttons is primarily a function of the formality of the suit; a very casual summer sports jacket might traditionally (1930s) have had only one button, while tweed suits typically have three and city suits four. In the 1970s, two buttons were seen on some city suits.Today, four buttons are common on most business suits and even casual suits.

Although the sleeve buttons usually cannot be undone, the stitching is such that it appears they could. Functional cuff buttons may be found on high-end or bespoke suits; this feature is called a surgeon's cuff. Some wearers leave these buttons undone to reveal that they can afford a bespoke suit, although it is proper to leave these buttons done up.Modern bespoke styles and high end off-the-rack suits equipped with surgeon's cuffs have the last two buttons stitched off-centre, so that the sleeve hangs more cleanly should the buttons ever be undone.

A cuffed sleeve has an extra length of fabric folded back over the arm, or just some piping or stitching above the buttons to allude to the edge of a cuff. This was popular in the Edwardian era, as a feature of formalwear such as frock coats carried over to informalwear, but is now rare.

Vents

A vent is a slit in the bottom rear (the "tail") of the jacket.Originally, vents were a sporting option, designed to make riding easier, so are traditional on hacking jackets, formal coats such as a morning coat, and, for reasons of pragmatism, overcoats. Today there are three styles of venting: the single-vented style (with one vent at the centre); the ventless style; and the double-vented style (one vent on each side). Vents are convenient, particularly when using a pocket or sitting down, to improve the hang of the jacket, so are now used on most jackets. Ventless jackets are associated with Italian tailoring, while the double-vented style is typically British.(This is not the case with all types of jackets. For instance, dinner jackets traditionally take no vents.)

Belted jackets

Suit jackets with belts on them became popular after World War I, especially on the exaggerated "jazz suits" which were popular in 1920 and 1921. After 1921, a more subdued style prevailed in which the belt was placed solely on the back of the coat, a half-belted back. This continued on many suit coats throughout the 1920s and early 1930s, usually on very fashionably made suits for the young. This style made a brief comeback in the 1970s when some suit coats again featured belts on the back.


E-tailor at www.mycustomtailor.com

Mens Suit - Fabric Color And Style

Men should always dress smart to accentuate their personality at all places that not only includes a stylish suit but also a proper hairstyle, fashionable accessories and a neat pair of shoes. Before freezing on the type of suit that you would want to buy, you should consider the type of event or occasion that you are attending. If the occasion demands you to be dressed in formals, go ahead and get a nice suit for yourself. But before buying a suit you will need to consider many options such as your taste and personality and physique.

*Types of suits - Conservative men's suits are generally worn by most at professional places. But there are also other types of suits available like the Navy Solid, Charcoal Chalk Stripe, Navy Pinstripe, Charcoal Solid, Tan Solid and Prince of Wales Plaid.

*Navy Solid - Solid Navy looks nice on everyone as it adds cooler tones for those who have clear skin tones and warmer for those who have gold undertones in their skin and hair. It is generally worn at weddings or funerals. It is ideal when you wear it for a dressing evening event, paired with an elegant, pale gold or silver tie.

*Charcoal Chalk Strip - The most classic suit for men is the Charcoal Chalk Stripe and is a perfect day time suit. Always remember that darker shades indicate trustworthiness and stability but if you want to enhance the aura of seriousness and confidence, go for rich charcoal tones.

*Suit jackets - There are various important characteristics of suit jackets that include the fabric from which they are made, color and weight, the style or cut of the suit, the details or trimming applied, the degree of customization to its wearer, etc. But the most essential and important characteristic is the cut - if the suit is poorly cut, it will never look good on the wearer in spite of the suit being of the best quality and detailing.


*Custom tailored suits - A suit's cut is made up of two vital parts which are the overall silhouette and the particular proportions of the man who will be wearing it. The one advantage for buying a custom tailored suit is that the tailor cuts the suit to flatter the wearer's best features and diminish any flaws. Such suits are custom-tailored to the wearer's measurements and are built by hand by a master tailor.

*Made-to-measure suits - These are off-the-rack suits which are fitted and altered according to the general wearer's frame. Such suits can only be altered to a certain point and will never fit as well as one custom built. As the name suggests, these have no alterations and are made to an average specification and won't fit best for most wearers.

*Suit quality - The quality of a suit is indicated by its trimming and the selection of its details. It also includes pocket styles, linings, button materials and the addition of subtle signals of the suit's quality such as ticket pockets and functional sleeve buttons. Such small elements give an elegant look to the suit's personality and also to the wearer's.

This has given you a general idea of styles, cuts and fabrics that are applied on a suit. But always remember that understanding the basics of classical men's style is important but the person most responsible for the look of the suit is the man wearing it.


E-tailor at www.mycustomtailor.com